On April 29th, the Opera "Rose Marie" debuted. I had the AMAZING pleasure of working on the production with some insanely talented people... and now that it's over, I wanted to post a visual process of creation; I summarized my carving of the Totem Pole stage prop from start to finish.
Working for the theater is the most stunning experience for me; as I said before, I am an avid traditionalist, and the theater is truly the setting for the classic arts... also demanding a different thought process and approach then most media. This totem pole is a perfect example of that- because I had to construct what would appear to be a pole made of wood, but factually an impossible task to be done in the short period of time I had. Foam was the perfect solution- I could work on every figure independently, and also care to make the cuts in the foam look like wood.
Funny when we attended the actual opera, we were so taken aback we actually forgot to take a picture while watching it unfold... so lucky me that the production staff actually did. :)
That's 10 feet of foam right there folks.
