Sunday, April 7, 2013
Commission for client The client wanted a porcupine design that would later translate into a pendant. However, her request was for an old Scandinavian style. Of the 6 eras that were distinct in the art of the Viking era, one of the least popular celebrated is the Ringerike style; even thought the second last era, it was overshadowed by the Urnes era, immediately succeeding it [and the Oseberg Era- the first era-, for it's rare, scarcity amount of artifact in comparison]. I decided to select this style since the content- a porcupine- could benefit visually from the characteristic "horns" that embellish most of the beastly figures. Since the execution of the design is very plain [in the sense that it was going to be a simple vector of the creation of the pendant], I decided to embellish it at least for the client. I made it look like one of my many illustration for University, when documenting the figures.
Monday, March 18, 2013
Commission for Client. The client wanted something that reflected certain aspects of her character, and so I helped her decide upon some symbolism that would be appropriate; The Carver- a symbol for the artisan/crafter The Moon- a dominantly feminine sign that went well with the kind of dialectic [opposites] she wanted, as well as association with water.
Sunday, February 3, 2013
Monday, January 28, 2013
Thursday, January 17, 2013
Wednesday, May 9, 2012
Thursday, February 16, 2012
After 6 months of studio work, purging my room and studio, I can finally bring up to date my blog!
I admit, I tend to neglect this place when I'm under contract simply because of the time restrictions... but when those finish, I deliver!
Going back to catching up some of the past content:
I'm notorious for a few things.
The relevant things for tonight are; I will get seriously ill twice a year. These will be done within intervals of 5-6 months. And when I do, I usually turn to making fan art and indulge in non-employment projects to pass the time [and the symptoms] in peace.
Since I have been suffering a serious sinus infection, and upper respiratory irritation for the last 3 days, guys what I did to pass the time?
I've always wanted to make a layout using the "dry brush" technique. Since I had a sketch of Qui-gon and Obi-wan in my "Tarot" style, I figured I'd take the time and create the "spread" layout I had in my "sketches" folder.
That's a lot of quotations.
One of the concepts I was fancying over the last few years was to be able to see my art in the "Star Wars Insider" magazine. I would also indulge this little fantasy by adding that it would be in "Insiders" because of some 2D short or film I would produce with the SW character of choice.
Well, life has its own agendas, and while I might not have been able to make that short just yet [I always have idea on the back burner... who knows?], I figured I'd indulge myself and create the spread anyways.
Boy, I did say "Indulge" a lot in this post. And yet again, more quotations!
I'm on a feverish role.
Anyways, one of the things I would often imagine is how it "felt" to be in the Jedi temple. You know, those weird sentimental memories one has of specific ways the specific seasons would reflect in one's home? Like, how the sunlight hit a certain room, or the way the twilight would feel in a specific season... I wanted to try and capture those kinds of moments within the Jedi Temple. So when recreating this interior, I wanted to have a layout that was deeply atmospheric.
Drawing upon a lot of the Buddhist temples, and medieval castle interiors, I wanted to have a "fire lit" corridor. Considering that SW is set in a technologically advanced galaxy, I figured that the torches or fire pots would be replaced by in-wall illumination of the same color.
Gives the same feel, but for a galaxy far far away.